The Artist in Residence

2015 narouz moltzer, Interpretations of Van Gogh

From the first week of June 2015 onwards Zartist Narouz Moltzer is artist in residence at the Van Gogh House in Zundert where he will work on a series of portraits of Vincent van Gogh. Zundert is the birth place of Vincent van Gogh – there he spent the first years of his life. Moltzer is best known as a painter and for his abstract portraits. By way of experiment, he painted a few portraits of Vincent van Gogh and got selected for the Artist in Residency project. 1+1=2, You see.

2015 narouz moltzer, Interpretations of Van Gogh

2015 narouz moltzer, Interpretations of Van Gogh

125 Portraits of Vincent van Gogh

During his stay on holy ground, Moltzer will try to finish a series of 125 portraits of Van Gogh during his four week-residency. At least that is the plan. Spokesman of the Van Gogh House, Ron Dirven, says he selected Moltzer for the following reason: “Narouz had been working on a few portraits of Vincent van Gogh already. The Van Gogh House wanted to give him the opportunity to expand on his works and make a series”. Zart thinks that is lovely.

In the spirit of Van Gogh

Narouz will be staying in the atelier with accommodation on the top floor. The restored verger’s house from Van Gogh’s period is just a stone’s throw from the Vincent van Gogh House. A gallery has been established in this annexe. Next to this is a new guest studio housing a Van Gogh ‘Artist in Residence’. Artists from home and abroad are invited to work here for a period of time in Van Gogh’s genre. “The goal of the artist in residency programme is to inspire contemporary artists who come to stay to make something in the spirit of Van Gogh. The purpose is to motivate the to artist in residence to create something different than they do at home”, Dirven says informing us on the project.

It’s not easy to be an ‘Artist in Resident’

What does it feel like to work on the very grounds where the great master Vincent van Gogh was born? Zart briefly spoke with Narouz to hear how he’s doing in Zundert. Moltzer says he has done a lot of work, the people are super friendly but he starts to miss home. He has done 50 to 55 works now, thats seems to be on schedule with two weeks left. In contrast to what you would expect, it does not feel like being on holy ground to Moltzer. This partly has to do with the modernisations of the guest house and partly with the new experience of being Artist in Residence.

uest Studio Van Gogh House

Guest Studio Van Gogh House

Home is where the heart is

When asked whether he rather works as an artist in residence or at home Moltzer frankly answers: “ Home!!! Unless I could be alone all of the time. And if I knew it was like this, i would have organised things better at home so I wouldn’t have to worry about anything. I would have brought more stuff for example. Now I had to travel up and down a few times. It’s the first time I experience an Artist in Residency like this”, Moltzer continues.

Mixed feelings but very special

Moltzer was greatly honoured to be invited for the project the last time Zart saw him. Is it what he expected? “ It is a bit different than I thought”, he says. “It is a wonderful experience though. I have been looking forward to it. When I wake up and open my window, I look out over the yard that harbors the grave of Vincent’s’ brother, who died in childhood. And I live next to church where his dad used to preach. That makes it all very special to be here.” Moltzer is not sure (yet) how this Artist in Residency project has influenced him. He is only halfway after all.“ I don’t think I changed the way I work”, he tells us. “On the other hand, probably because the atelier is so light and the beautiful surroundings, I have refreshed my colours”.

What the H*** is this?

The Artist in Residency and the Van Gogh House itself draw many visitors. Moltzer indicates that is the most difficult part for him. It is great to have an exhibition but less great to BE the exhibition, so he experienced. “All day long there are these groups of people passing by”, Moltzer tells.“Behind those glass windows, I feel like a fish in a bowl. I am there right in front of their camera’s. I wonder all time : “what the H** is this? Can you imagine? That is a thing I can’t get over somehow”.

2015 narouz moltzer, Interpretations of Van Gogh

2015 narouz moltzer, Interpretations of Van Gogh

Future exhibition and symposium

As all of you, Zart can’t wait to see the results of this project. The Van Gogh House plans a symposium and an exhibition of all works made during the cycle of Artist in residency projects. The dates are not fixed yet but you can follow news about events on their website:

On Saturday, the 26th of June, the Van Gogh house will present Moltzer’s work as a sneak preview.
Artist page >

How to make an abstract selfie

Are you ready to reinvent yourself? Rembrandt did it, Van Gogh did it and so can you! We have an irresistible solution. Instead of going around with a selfie stick to get the best angle for your profile picture. Instead of going to the hairdresser or making radical life choices like gambling away your house or cutting off an ear, you could try Clippr. Clippr is an online image distorter developed by Elout the Kok, owner of Pixel Lab. It is fun to try and gives you an abstract portrait for free. Get your own artistic selfie at Clippr. You can’t change the world, but you can change yourself.

Unfortunately, the mobile version of Clippr has some difficulties. You can see how the tool works, though. To create your own work you will have to get to you desktop or laptop to run it. Sorry, we are working on that! We hope you will enjoy it anyway.


Metamorphosis: Van Gogh and Rembrandt meet Clippr

Tutorial on Clippr

Not sure how it works? Read the tutorial.


To Artist Page>

The Accidental Artist

Incidentally, Zart invites artists to write a guest post. When asked to do something for Zart on art and photography, David de Leeuw is for once at a loss for words. This does not happen very often. David is a senior editor and journalist in the first place. He did not take his work as a photographer very seriously at first. Until the success of his recent photo series Reflections blew everyone, the artist included, away. As so many others before him, he is an accidental artist really. Read his story.

The Accidental ArtistDavid de Leeuw

By David de Leeuw

Writing a blog post? About art and photography? I really have no clue. Alright, I take pictures and Zart sells them and rents them out. That transforms my pastime into art all of a sudden. Not that you will hear me complain. Let’s proceed to tell you how I go about the business of making photos, shall I? And why I do it in the first place.

From Keyboard Mercenary to Photographer

It wasn’t until 2012 that I bought a camera, a Panasonic Lumix DMC-LX5 (compact) and started photographing for real. I was 47 then. Before that, I’d never taken pictures. I thought it was bollocks, really. ‘You can always remember where you’ve been, right?’, I thought. That turned out to be not quite the whole story 🙂 As a child, I already had a sense for moods and atmospheres, not only with people but also with environments like cities. I didn’t know what to do with that inner world of magic and fantasy. At 25, I’d already turned my writing talent into word prostitution. After a working day as a keyboard mercenary, I’m completely empty. Who knew a camera could come in handy as an instrument to express myself? I discovered that in 2011, when I started taking simple snapshots. That was fun! Likes on facebook! Hi, I’m David and I’m a facebook-likes-addict. People encouraged me to proceed and I switched to a real camera.

Mirror City

Mirror City


I’m steadily wising up as a photographer because I ‘have to’ venture out with my camera almost every day. EXPRESS YOURSELF! the expression animal keeps on urging me. So then I take a walk and see what happens. I love puddles. When I hold my camera just above it or even dip it in, lovely reflection photographs result. Why doesn’t everyone do it this way! Tourists and locals crowd the streets and look wearily upon the kneeling fatso taking pictures of water in the gutter. They don’t know, do they. Of course, reflection photos become a bit of a standard trick after a while but I LOVE IT! A recent discovery is the vertical panoramic picture, a great way to cut out a beautiful and relatively unspoilt image in ridiculously busy city centres with ugly cars and clothes everywhere. For the past half year or so, I’ve been using a photo editing programme which shows me all the colours in black and white and how to correct warped perspective so buildings appear straight again. Sharpening is a nice tool and highlights and what have you but you must be careful not to exaggerate, however, that can be good too at times and blah blah blah, look I’m already rambling.

Photography  as a Free Zone

Bike Star

Bike Star

In principle, everything I do is intuitive and through experience, a bit of craftsmanship creeps in. I don’t read manuals, it all comes naturally and that’s the way I’d like to keep it. I don’t do assignments, photography is my free zone. Of course, I have Great Examples, from Eva Besnyö and Jacob Olie to Pim Kops, a contemporary fellow Amsterdammer. All of them real artists. Am I one, or becoming one? Judge for yourself on Zart.

Artist page >

Ludy’s stories of cruelty and madness

Recent developments in e.g. the Middle East show, once again, that civilisation is nothing but a thin chrome layer that over time will peel and flake. One of our Zartians, Ludy, made a series of literary paintings based on old stories that suddenly seem very contemporary.  Her paintings remind us that cruelties and atrocities are not a new invention. “The Green Ionian islands on the West Coast of Greece are the place where I travel around a lot”, she writes us. Here she picked up many stories and recycled them into paintings. Ludy: “Some of these stories, describe such cruel behaviour that I felt a need to tell what happened in a series paintings”.

Portrait Inside, see below, is about an aristocrat’s daughter, who falls in love with a poor village boy. This enrages her family and especially her father who locks her up in a convent. But her lover does not give up and brings her a serenade. When the father hears about this he loses it completely and comes to a most horrific solution: he beheads the lover. Then keeps the poor girl locked up in the attic with the severed head of the man she hoped to marry. Short fuses they had”, Ludy tells. And if no one saved the girl, she must still be locked up somewhere.

Ludy-Portrait inside


Zart does not have the complete collection of Ludy’s work but showcases 4 pieces. Check her artist page to see more.

Ludy’s page >


Skyscraper, I love you

Skyline Tokyo Photographer: B.Bampbell, Source: Flickr

Skyline Tokyo Photographer: B.Bampbell, Source: Flickr

 Underworld’s Mmm, Skyscraper I love you could have been written for our Zartist Coen Pohl. Graphic designer Coen Pohl has a fascination for cities in general and skyscrapers in particular. Pohl’s works are graphic interpretations of big cities and massive buildings. The bigger the better. What is so interesting about urban landscapes? “ It intrigues me how people live there”, Pohl starts to explain. “ How life in the city is organised is far more interesting then nature for example. Seen from above, a city resembles an anthill.”

Pohl obsessively follows new developments on his favourite website, Pohl: “I spend a lot of time on that website. You can see all kind of building projects from all over the world. There is a section for every country. Members upload updates every day. You can see anything that happens on a construction site. From London to Shanghai.”

Don’t look down

Don't Look Down, Coen Pohl

Don’t Look Down, Coen Pohl

Don’t look down is the result of Pohl’s experiment with perspective. “I fancy heights with a wide view over a big city. And a good skyline. In Don’t look down, I wanted to combine height and skyline in one image. It is almost as if it has been made with a fish eye lens or as a panorama. I wanted to make people experience depth, the feeling you get when you are standing on a tower and look down onto the streets and buildings.

World’s tallest Skyscraper

Pohl’s favourite skyscraper construction site is The Kingstower in Jeddah, Saudi Arabia. “The Saudi’s are building an incredible tower of more than a kilometre in height. Imagine that in the middle of the desert. Economically it is a bad idea to build skyscraper like this. There is no demand for such a project. But it is amazing to see what the human race is capable of. That it is possible”, Pohl tells with enthusiasm.

Pochemuchka design: collage art as integrated design

All things change and we change with them. This is the leading idea behind the collages for Zart by Esther Vreeland, aka Pochemuchka Design. Pochemuchka Design is best known for her collage art. Vreeland is not too fond of the label ‘artist’ but would rather be seen as a designer. Together with Zart she also started to produce what could be called integrated design concepts. Integrated design is a term borrowed from architecture referring to a collaborative designing method that requires multidisciplinary teamwork. From beginning to the end, all stakeholders are involved in the design process. Vreeland is a master in remixing all kind of elements into one total design. The product, formerly know as artwork, can be a large visual or a room. In the end, it is the juxtaposition of smaller design elements that tell a story, make up a collage.2014 zart esther vreeland

Catchy Sketchy Style
Is there a Pochemuchka style? ”I do not have one way of working”, Vreeland says,”although I do have to admit that I often use simple cut and paste techniques. I take cut outs from drawings. Somehow that feels a bit mysterious because you do not know in advance what story will come out in the end. What remains to see after the cut out process is just one isolated part of the original image. If you assemble all pieces into one new work, it resembles a sketch. Vreeland reaches a sketchy effect or ‘look and feel’ if you want, by adding (hand) drawn elements to the collage”.

Visual dj-ing
Vreeland’s collages work might best be seen as a remix of little stories. Like a DJ mixes records into new tunes, Vreeland mixes visuals. She singles out a story line, cuts it up and remixes it into a new form, a new scene. Being born and raised in Amsterdam Vreeland saw some big transformations. The process of change is one of growth and decay, of construction and deconstruction. Vreeland:”I was born in the Runstraat. One of the Nine Streets and have seen the city transform. When I used to live there, it was a working-class street. There were a grocery and a druggist and we had the milkman downstairs. Many people still used coals. Now the Runstraat is one of the Nine Streets. The grocery is is some posh beauty parlor. Everything has changed, of course. If you look at our constant changing world as a story, it becomes a tale of continuously constructing and deconstructing all kind of things. Many things happen all the time and these events leave their traces.”
elevation montage 1 imgur_Collage
Vreeland picks up traces everywhere. Elevation Montage is full of such traces. “Sometimes I peek through a window and I wonder what is happening inside” Vreeland starts to explain the origins of this work. “And so many things happen. Behind every door and window a story unfolds. There is a scene everywhere. A city is a place of coming and going of people. It has a history of many things happening. Now and in the past. I used to live I a house where someone hanged himself. One of my friends was scared to come and see me there because of what happened. I felt that was nonsense because good and bad things have happened everywhere all the time, for centuries”.

DIY adventures
“Every window tells a story. I wanted to breathe life into all the little houses, so there would be a small face everywhere”, Vreeland continues. Since one can’t go around and take pictures of people in their homes, Vreeland just looks for pictures on the internet that somehow grab her attention. “Like this man’s letter” she says while she points at the small image in the top left corner of Elevation montage. “Who is that man? You can look at it and make up a story. This gives me a feeling of adventure and traveling without GPS. As if anything can happen. If you would place all the small images in another context, you will get a completely different story ”.

A Panorama for the Zuiderbad
To Vreeland collage is the art of remixing daily life. Because there is so much choice –take a look out of the window- it is difficult to limit oneself. It is not a secret Vreeland prefers to make commissioned work.“I like a clear starting point”, she tells. In the image below is a work specially made for the Zuiderbad, the swimming pool situated next to the Museumplein. In it you can see how images and important places like the Rijksmuseum and the fire brigade, images from the past and present relevant context collide into an enormous panorama of 60x 1.80.
Zuiderbad Original kleineri]
Red bricks and tourists
“The only guiding principle for creating this panorama, was the client’s idea about what should be in the image. The Zuiderbad wanted a large visual of the front of the building. So that is where I started. In front of the building”. Vreeland worked together with illustrator Steve Dumayne. “I usually work with preliminary study. Steve had the idea to go to the Museum square and to take pictures of things that happen on the square and the general surrounding”, Vreeland says about the working process. “
referentie - kopie
The Zuiderbad lies in one of the most touristic areas of Amsterdam so we had to get some tourist in, that was inevitable. But the old gangster car happened to be there as well”. When Vreeland and Dumayne started with their mood board, the first thing that jumped to the eye was the colour red. “If you sit down in the area you will see that all buildings are built with the same type of red stones”, Vreeland continues. On the corner is the fire brigade with its red cars as well. The red bricks form the unifying factor in the panorama”. Historical context “In our first draft”, Vreeland says, “we added some traces of history and superheroes to stress the importance of the surrounding buildings. The building on the right used to be the Velox cycling school. This is where people used to learn how to cycle. Now it is called the Veiligheidsgebouw, the House for Safety and Security”. In our first sketch, I put superheroes behind the windows to reach a sort of vigilante effect. This idea was rejected, unfortunately. So I replaced the superheroes for figures from Rembrandt’s Nachtwacht and this way kept the spirit of the Veiligheidsgebouw and at the same time linked it to the Rijksmuseum.”

Book us
You can book us for redesigning your place, hotel, lobby reception or a custom made large visual
through the contact form. See work by Pochemuchka design

Schermafbeelding 2014-11-06 om 12_Fotor_Collage

‘I am my own Model’

‘I am my own model’ (Sim 2014). A simple and complex sentence at the same time. In the works you see here, Round and Round and Circles, fine artist and illustrator Sim used a camera with a self-timer and some large screens as a starting point to get the work going. Very refreshing is that you are not looking at a regular selfie. Neither are the works made as a comment on body politics. There are also no hidden feminist statements about the search for a female visual language. Sim uses images of herself for no other than practical reasons.


2015 Close up Sim I am my own modelSim:”I have been searching for models for a very long time. Either they have limited time or they are too expensive. So I decided to be my own model. “In the beginning I had to get used to the idea of seeing myself as an image”, Sim admits. “I had to get over the feeling to start correcting things about myself. At the same time it felt comfortable to paint myself, Sim tells. “How can painting your own contours feel strange? I do not look at all kinds of imperfections I could find but focus on form and posture”.

Close up: Pochemuchka Design

”I work with ordinary pictures I run into on the internet. Or images I cut out from magazines or even find on labels. Usually, one element in this picture draws my attention. I remix all these cut up elements in order to tell a new story.” (Pochemuchka Design- a.k.a Esther Vreeland 2015)

elevation montage - Close UpPochemuchka Design by Esther Vreeland mixes iconic elements from different cultures into a new story.  She calls this technique Fusion Graphics.  Zart couldn’t agree more. More more more? See our artist section under Pochemuchka Design.

Art will not be silenced


"Freedom is not a given. It has been conquered. People fought for it. Freedom too often has been written in blood.  So artists, creatives and journalists, keep working. When, where, and while you can. Above all, because you can." (By a Zartian Anonymous)

“Freedom is not a given. It has been conquered. People fought for it. Freedom too often has been written in blood. So artists, creatives and journalists, keep working. When, where, and while you can. Above all, because you can.” (By a Zartian Anonymous)



Great Art on a Small Format

kunstverhuur, canvas, plexi, acylic glass, frame,

New at Zart: High-quality prints on canvas or acrylic glass (Plexi) in smaller sizes. Where everyone else wants to go bigger, Zart takes the super-size trend into another direction. Zart goes from Large to Medium. This way we hope to make our collection even more accessible. Art should be for everyone and Zart makes it possible. A smaller size means a better price!

From print to frame

Comparing a print on canvas to a print on Dibond is hardly fair. The end results are radically different. What remains the same is the super high quality of the print. As you can see on the collage below, we take great care of all details from the beginning till the end. At Zart, we do not publish large editions. Our collection demands great craftsmanship from various parties, the artist, our printer and our framing fabric. Therefore, we are extra proud to be able to give you our special canvas – and Plexi deal.

kunsteverhuur, canvas, plexi, acylic glass, frame,

A step-by-step overview of how your canvas gets framed.

Canvas deal

All works on canvas are printed in a limited edition of 30 pieces. You print is delivered signed and numbered bordered with a frame. The price of a canvas print is €425,-. Those who want to rent a print pay €25,- a month for the minimal period of 6 months.

Canvas Print


Limited edition

30 pieces


70×70 cm

Buy it

€ 425,00

Forever yours!

Rent A

€ 25 a month

6 months

Rent B

€ 20 a month

12 months



Plexi deal

All prints on plexiglass are printed in a limited edition of 60 pieces. Works come signed and numbered with a suspension system. The buying price for a work on acrylic is €195,-. In case you want to rent it for half a year, the price will be € 15,- a month. Those who rent if for a year can do so for just €10,- a month!

Acrylic Glass (plexi)


Limited edition

60 pieces


60×60 cm

Buy it

€ 195,00

Forever yours!

Rent A

€ 15,00 a month

6 months

Rent B

€ 10,00 a month

12 months

Suspension system



For more information on the availability of individual works, see our Artist section or call Zart.
T.  020 337 77 39 
/ M: 06 49 37 02 54


Beazarility’s Streets of Amsterdam

Beazarility is the artist name of Lars Brehm, creative designer and mixed media (z)artist in daily life. Zart caught the attention of Beazarility just in time. Not because he will be on a long holiday, on the contrary, but because of recent successes. Brehm may soon belong to the select group of most wanted artists as he will be exposing his work at the prestigious art fair Art Basel Miami as a member of the Amsterdam Street Artists collective (ASA).  He is invited to participate in the collective as an artist because his style and motives as expressed in the diverse range of works are deeply rooted in street art. Or “the street” as he says himself.

zart beazarillity blog
Street Art

Who takes a look at the work of Beazarility will immediately see that anything he creates breathes Amsterdam. The city itself is at the centre of his work an defines both form and content. The streets of Amsterdam and street life come back on a very regular basis. Hence Brehm at a certain point was labeled as “street”.  Brehm who is basically a graphic designer, was a bit surprised about the invitation by ASA at first, as he never thought he was actually making work that would fit in the category street art.

One is inclined to associate street art with graffiti art. All hand work. He tells us that he felt a bit intimidated in the beginning by the skills of his ASA colleagues. “ The other artists”, Brehm explains,”are all working with paint and spray cans, they can do a live performance,  I just draw and scan or use photo’s then in the end i put everything together by the computer. I am a digital artist. This different way of working made me a bit nervous at first”.  Brehm’s ties with the street art scene are most obviously present in his works Skull Onbenul, The Eye of the City and Amstellodami Prostitutia. Whatever label anyone wants to put on Brehm, Zart loves him anyway.

Recurrent Motives– Skulls, Red Light District and Repetition

The skull seems to be a recurrent element in Brehm’s work. When asked about the skull motive Brehm says” I find skulls very impressive for some reason. On the one hand it is a dark symbol. I like dark elements, especially in combination with colour. To contrast it. To colour the dark. Skull Onbenul is inspired by the Mexican sugar skull “. The sugar skull is part of the traditional Mexican holiday, Dia de Muertos. Day of the dead symbolises death and rebirth.

zart beazarility skulletjes

Skull onbenul

Skull Onbenul means so much as ‘skull ignoramus’. This  is a work that has a special place in its creators heart. Brehm kick started his career as a mixed media artist with exposing a work at the Stedelijk Museum in Amsterdam during the Museum Night’s “50 minutes of fame” in 2007. While most artist have to work for years to get picked up by any museum, this Zartist just sent some work in for a contest and was singled out right from the start by the Stedelijk Museum. This piece was Skull Onbenul.

Red Light- an ode

The transition from one thing into another, from the old into something new, from darkness to light is obvious in Brehm’s work but very explicit in Amstellodami Prostitutia and Stranger at Red Light. The first work is an ode to Amsterdam’s most famous area, where as the second incorporates a firm critique as well. Brehm’s works expresses a nostalgic feeling on the vanishing of the oldest part of the city and at the same shows it in its contemporary form.  A clever blend of the old world and the new. The city of Amsterdam, especially the Red Light District, has been radically transformed. The Red Light District has been heavily under attack and is now reduced to a few sanitised streets. “Amstellodami Prostitutia celebrates the raw edges of the city, the dirt and the vile”, Brehm explains. “This raw side has been an inspiration ever since I was a boy. It is a pity that this part of city life slowly disappears. If one can still find it at all. When I see a movie in which people fantasise about Amsterdam, I realise at the same time how privileged we are to live here.  I try to give the old red Light and its new form a place in my work” Brehm finishes.

zart beazarility blog beel 2

…a critique

Brehm at the same time acknowledges that the famous district has a dark side as well. He is nostalgic and critical at the same time. He vision is shown in Stranger at Red Light. The image draws the eye of the viewer literally into a black hole. It mirrors the feeling a stranger in Amsterdam must have when he wonders through the night, crosses the bridge to the Red Light District and finds himself suddenly in a “black hole”.   It creates a feeling of estrangement and makes you feel lost. Brehm makes you literally go wondering around in the dark here.


Another motif we see in the work of Beazarility is repetition. Brehm’s love for repetitive patterns becomes very clear in The Eye of the City. The repetitive pattern of the houses and its round form mirror the architecture of the city that is build in a round form around the canals. “I am a graphic designer after all, i like patterns and to go wild with colour”.


Who wants to see more of Beazarility can contact Zart or have a look at Brehm’s website.  Brehm will be up to some interesting projects in the near future. He plans to launch a nostalgic t-shirt line and of course be busy with preparing the Amsterdam Street Art project. We will keep you posted!

zart beazarility blog repetition

Amsterdam Street Art:


Enjoy the Zart experience

4 good reasons to make an appointment !

Don’t go anywhere! Zart will come to you. All you have to do is to check your agenda and make an appointment. One of our employees will come to your home or office to give you a private peek in our collection. What is better then having a small exhibition in the comfort of your own place? Here are a few good reasons to get the Zart experience:

1. “It looked different on the web…”

Yes we know. You can never get the feel for a work of art if you do not see it real time. In the place you had in mind for it. In the evironment where it will hopefully stay for a long time. By showing you several works that migth be of interest to you. We hope to make you “experience” the work. You will be able to feel it and see where it fits best. This is a great way to see if the piece you liked at first sight is really what you had in mind.

2. Zart’s prints are valuable

Our dibond-prints are produced with the greatest care. We made it our objective to keep art available to many by pricing the work as such. However, it is not a poster you buy/rent or lease. It’s a work of art. The pieces need proper care and in this way we can give you all the information you need to keep it in the most perfect condition.

3. Sharp prices

Rent, lease or buy? Once you have chosen one or more works, Zart will make you a financial proposal. When you like to rent a couple of pieces for a longer period of time an have not decided yet what to do -rent or lease?- You may want to negotiate the pricing model. This is easier when you talk face to face. Remember, we try to make purchasing art as easy as possible. Completely painless!

4. Special offer

Next month we will start a massive discount action. Make an appointment now and make sure to have the first choice. After all, the works are produced in a limited edition. Sold out is sold out.